M.e.t.r.o.p.o.l..i.S
Thursday 7 April 2011
THIS IS IT!
These are the pictures i have edited.
The First picture is edited by using Glowing edges tool.
I think this image looks interesting.
The Glowing edges have made it look more Dystopian and twisted.
The clouds make it look more dark and horrific.
This picture is edited by using the Radial blur tool.
I think this image has worked extremely well.
It gives the image and scenery looks like its going into a black hole.
I think that the way it twists around the model has worked around better.
This image has been edited by using the solarize tool.
I think it makes it look darker than it actually is.
Makes it look more Dystopian.
The clouds have worked really well with the tool.
Architectural Photographers.
Chris Humphreys.
Mark Darley
Chris Humphreys Photography – Architectural, Interior and Commercial Photography in Scotland and throughout the UK.
Chris Humphreys is both an architect and architectural photographer. He has practised in Edinburgh for 14 years developing a deep understanding of how to present completed projects in the best possible way. Chris has a natural eye for composition, lighting and detail. This unique position enables him to translate the clients brief and interpret their needs more accurately. His strong graphics background enables him to capture and process photographs in a way which achieves maximum visual impact.
Mark Darley
Interior and Architectural Photography with 25 years experience publishing in major magazines worldwide, and working with corporate clients, advertising agencies and graphic designers.
Originally based in New York for 10 years, Mark covered both the East and West Coasts of the United States while making regular trips to Europe. Now based in California he also covers the Pacific Coasts.
Further information available on the website.
Originally based in New York for 10 years, Mark covered both the East and West Coasts of the United States while making regular trips to Europe. Now based in California he also covers the Pacific Coasts.
Further information available on the website.
Specialties
photography, marketing, public relations, advertising, publishing
Monday 4 April 2011
Who Made It?
The Makers.
28 Days Later.
The Road.
The Walking Dead.
28 Days Later.
Produced by | |||
| Robert How | .... | line producer | |
| Andrew Macdonald | .... | producer | |
Original Music by | |||
| John Murphy | |||
Cinematography by | |||
| Anthony Dod Mantle | |||
Film Editing by | |||
| Chris Gill | |||
Casting by | |||
| Gail Stevens | |||
Production Design by | |||
| Mark Tildesley | |||
Art Direction by | |||
| Mark Digby | (supervising art director) | ||
| Rod Gorwood | (as Rob Gorwood) | ||
| Patrick Rolfe | |||
| Denis Schnegg | |||
Set Decoration by | |||
| Fanny Taylor | |||
Costume Design by | |||
| Rachael Fleming | |||
The Road.
Original Music by | |||
| Nick Cave | |||
| Warren Ellis | |||
Cinematography by | |||
| Javier Aguirresarobe | (director of photography) | ||
Film Editing by | |||
| Jon Gregory | |||
Casting by | |||
| Francine Maisler | |||
Production Design by | |||
| Chris Kennedy | |||
Art Direction by | |||
| Gershon Ginsburg | |||
Set Decoration by | |||
| Robert Greenfield | |||
Costume Design by | ||
| Margot Wilson | ||
Original Music by | |||
| Atticus Ross | |||
| Leopold Ross | |||
| Claudia Sarne | |||
Cinematography by | |||
| Don Burgess | (director of photography) | ||
Film Editing by | |||
| Cindy Mollo | |||
Casting by | |||
| Mindy Marin | |||
Production Design by | |||
| Gae S. Buckley | (as Gae Buckley) | ||
Art Direction by | |||
| Christopher Burian-Mohr | (as Chris Burian-Mohr) | ||
Set Decoration by | |||
| Patrick Cassidy | (as Patrick T. Cassidy) | ||
Costume Design by | ||
| Sharen Davis | ||
The Walking Dead.
Series Produced by | |||
| David Alpert | .... | executive producer (6 episodes, 2010) | |
| Frank Darabont | .... | executive producer (6 episodes, 2010) | |
| Charles H. Eglee | .... | executive producer (6 episodes, 2010) | |
| Adam Fierro | .... | co-producer / consulting producer (6 episodes, 2010) | |
| Gale Anne Hurd | .... | executive producer (6 episodes, 2010) | |
| Denise M. Huth | .... | producer (6 episodes, 2010) | |
| Robert Kirkman | .... | executive producer (6 episodes, 2010) | |
| Jack LoGiudice | .... | co-executive producer (6 episodes, 2010) | |
| Tom Luse | .... | producer (6 episodes, 2010) | |
| Gregory Nicotero | .... | consulting producer (6 episodes, 2010) | |
| Skip Schoolnik | .... | associate producer (6 episodes, 2010) | |
Series Original Music by | |||
| Bear McCreary | (6 episodes, 2010) | ||
Series Cinematography by | |||
| David Boyd | (2 episodes, 2010) | ||
Series Film Editing by | |||
| Hunter M. Via | (3 episodes, 2010) | ||
| Julius Ramsay | (2 episodes, 2010) | ||
Series Casting by | |||
| Sharon Bialy | (6 episodes, 2010) | ||
| Craig Fincannon | (3 episodes, 2010) | ||
| Lisa Mae Fincannon | (3 episodes, 2010) | ||
| Sherry Thomas | (3 episodes, 2010) | ||
28 Days Later/Survival
Animal activists invade a laboratory with the intention of releasing chimpanzees that are undergoing experimentation, infected by a virus -a virus that causes rage. The naive activists ignore the pleas of a scientist to keep the cages locked, with disastrous results. Twenty-eight days later, our protagonist, Jim, wakes up from a coma, alone, in an abandoned hospital. He begins to seek out anyone else to find London is deserted, apparently without a living soul. After finding a church, which had become inhabited by zombie like humans intent on his demise, he runs for his life. Selena and Mark rescue him from the horde and bring him up to date on the mass carnage and horror as all of London tore itself apart. This is a tale of survival and ultimately, heroics, with nice subtext about mankind's savage nature.
I LOVE this picture. The way it has been edited i think is really unique.
The Director, Danny Boyle, had to hire out the streets of london
for quite an amount of money, so they could shoot a scene, with the main charector
when he has gotten out of hospital walking around the demolished and abandoned
streets that used to be busy.
The clip of this scene is inbetween 0.56 secs & 1.10 mins.
MeTrOpOlIs.
This is taken from the film 'Metropolis'.
The film is very futuristic!
It was made in 1927, it was a science-fiction.
It is also a Silent film! Which made it very confusing!
There has a been alot of lost footage.
This Picture (above) represents Metropolis very succussfully
it is plain, square, bold and very cold image.
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